Most actors reach out to me with something specific on the table — a self-tape due in 48 hours, an audition next week, a scene that isn't quite landing. These sessions are built around that reality. Whatever stage you're at, we'll work directly on your material, sharpen your choices, and get you into the room — or in front of the camera — ready to do your best work. Here's how we can work together.
AUDITION TECHNIQUE
This is your time to refine, elevate, and prepare with intention. Whether it's a scene for an upcoming audition or a self-tape, we'll approach the material with focus and flexibility — scene analysis, mock auditions, and strategies for taking direction with ease, all in a space that mirrors the demands of the professional audition room. We'll also cover the practical side: wardrobe choices, on-camera presence, staying grounded under pressure. If line memorisation is worrying you, or you're second-guessing every choice, we'll deal with that too. The goal is simple — you walk into every audition, workshop or recall fully prepared, and ready to deliver your strongest, most authentic work.
SELF-TAPE
Mastering the self-tape is essential in today's industry, and this is where we sharpen that craft. Using practice scenes as our foundation, we'll explore what actually makes a self-tape stand out — eye-line, framing, lighting, background, wardrobe. Every detail matters, and most actors are never taught any of it properly. Whether you're new to self-taping or looking to push your tapes to a genuinely competitive level, this is about building the confidence and precision to deliver consistently strong work, every time the camera rolls.
ACTING FOR CAMERA
This is where craft meets camera. We'll dive into on-screen scene work and the techniques that bring a performance to life on film — taking direction with clarity, adapting your performance for the lens, making choices that read with subtlety rather than effort. We'll cover line learning, sustaining energy across long shooting days, and moving confidently within a busy set environment, along with how to build the kind of relationships with directors and crew that get you asked back. Everything here is built to help you work consistently, not just book one job.
READER SESSIONS
Every actor knows the problem: you've got a self-tape due and no one to read opposite you. A reader who mumbles the lines flat, checks their phone between takes, or simply isn't an actor — it shows on camera. In these sessions, I read opposite you live on Zoom, matching your energy and giving you something real to play against, so your side of the scene actually lands. I've spent enough years on both sides of the camera that I won't sit on my hands if something's not working — so don't be surprised if the odd note slips in. This isn't a substitute for a coaching session, but it's the difference between recording alone and recording with someone in the room.
AUDITION READY — GROUP INTENSIVE
Most actors know what they're doing wrong in an audition. Knowing how to fix it is a different thing entirely. Audition Ready is a small-group coaching programme for actors serious about getting cast. Over four weeks, you'll work live on Zoom with me in a group of no more than ten — breaking down scripts, building presence on camera, mastering self-tape technique, and finishing with a live hot-seat session where you perform and get coached in front of the group. Watching your peers work is one of the most underrated parts of the process.
£197 per person. Places limited to ten.
Get in touch to find out when the next cohort starts.
